I think I was getting bored with Tarantino's foot fetish bar dance scene, and IIRC that's about when the vampire stuff kicks off.Ī while later I ended up watching the sequels. Given that it's a gory vampire film, and I didn't know that, it's quite a risk for an audience member like me who might be enjoying the thriller progression. It's been a long time since I saw it, but I seem to remember that it's a bit like Psycho, in that there's a storyline going on which, half way through, is completely abandoned because some bigger issue invades the character's lives (in this case, vampires). I happened to tune in just after the beginning, and had no idea what I was watching, but was hooked on the thriller storyline about those two gangster brothers and the situation they found themselves in. The first time I saw From Dusk Till Dawn, I think I was a young teen and it was on TV*. The production crew for the documentary are also non-union. This includes the International Alliance of Theatrical Stage Employees protesting the non-union status of the film. It features extensive interviews with the cast and crew covering a variety of topics related to the film. Later editions of the book also feature one of Rodriguez's tutorials on low-budget filmmaking (Ten Minute Film School) and the screenplay to El Mariachi.įull Tilt Boogie is a 1997 documentary film directed by Sarah Kelly that chronicles the production of the 1996 film From Dusk till Dawn. Presented in a diary format, Rebel details Rodriguez's beginnings as a young filmmaker, his stint at a medical testing facility to raise money for a feature film, the making of that film (El Mariachi) for $7,000, and his subsequent experiences in Hollywood selling the film and going to film festivals promoting it. Rebel Without a Crew (subtitle: Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player) is a 1995 non-fiction book by Robert Rodriguez. Keep them at arms length for safety purposes. They may, in fact, be space aliens from another galaxy. If you like him, you should read his book- REBEL WITHOUT A CREW-which is 23 years old now.Īnd if you really love From Dusk Til Dawn-you should 100% watch the documentary FULL TILT BOOGIE, which chronicles the entire production, including the protest over it's non-Union status.ĮDIT: Be skeptical of anybody who prefers Twilight to From Dusk Til Dawn. Having said all of that ( and I won't go into too many details here, but). I happen to think RR is an admirable filmmaker for a number of reasons, and Dusk Til Dawn is one of his best. The closest I think that Robert Rodriguez has come to making a masterpiece is Sin City. From Dusk Til Dawn has too many flaws to qualify in my opinion-but I would have no problem whatsoever calling it a modern grindhouse classic. I prefer to reserve that term for truly exceptional films. It's a very entertaining film, I'm a big fan. What would you say, is my measure off? How would you rate it? :] Having grown up with this film, I judge other action movies by criteria that this film helped establish. I have not met a single other person who liked it, apart from my brother and dad. I love this movie, and I am not a professional, just a fan boy whos probably not very objective, but I have had people tell me its complete trash, not just plotwise. And I am in no way suggesting that its an intelligent movie, just that it's cooler and wittier and more creative maybe, although Tarantino is know to copy pasta a lot. However modern day action blockbusters seem dumb to me, compared to fdtd. The transition is very rapid, and quite a few of my friends dont like the way the vampires look, being used to twilight and generally more aesthetic looking blood suckers. I can see how the change from Gangster movie, to sudden Vampire spladder can be off putting. To me it feels like a clever movie, as if someone put a lot of thought into creating this twisted little fantasy. Maybe only Scott seemed a little redundant haha. Great music (quite a few tracks from Tito and Tarantula), good acting, grin spanning one liners, Chet's speech, Salma Hayek's snake dance, the plausible dynamic among the Gecko brothers (George Clooney and Quentin Tarantino) and also the Christians, the Titty Twister, all the other generally interesting characters (like Sexmachine) and the thousand other little details. The atmosphere the movie creates makes my heart glow. However even if I go back nowadays, rewatching it with a more critical eye, I still consider it a masterpiece. My dad is, and I watched it with him at an early age, so that is probably where I'm coming from. Generally people seem to dislike the Robert Rodriguez movie.
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